Indie Artists / Music Submit

Music Dish Interview, July 2005

musicdish.com

Tracy Rice is a Canadian artist and songwriter. She was a winner in the 2004 Songwriting Contest for Nashville Song Search for the Crisis Intervention Center in Nashville. There were over 2,000 entries, Tracy was the only foreign winner. She is currently working on her first Nashville CD project.

Doak - Tracy, tell me about your songwriting and artist journey and how you became involved in Nashville.

Tracy - It has been a plan for several years to take my work to Nashville. I entered a songwriting competition at a friend’s urging a year and a half ago and won one of the categories, which was “Perfect for Terri Clark”. I had actually opened for Terri about a year and a half earlier in Canada. The contest gave me my first trip to Nashville and an introduction to the music scene.

Doak - I remember you and I were in a car driving back from the contest and some fans that saw you open for Terri in Canada recognized you for your autograph, and I also saw other fans at Terri’s concert in Nashville at the Wildhorse Saloon also asking you for your autograph. How did that make you feel?

Tracy - that tripped me out - I did not expect it! I was in Nashville where no one knows who I am, to accept an award for the songwriting contest and to be picked out of a crowd of people around Terri and asked for my autograph - yea it was a mind-blowing experience.

Doak - That impressed me, especially since you did not play at the event in Nashville, the fact they remembered you from over a year earlier! That was pretty incredible that someone that has not played in Nashville, already has fans in this town. From that contest - what happened?

Tracy - I got really motivated and focused on getting back to Nashville as frequently as possible. I started coming to Nashville about a week every month, as that is what I needed to do to get immersed in the songwriter scene. I would play at songwriter rounds at least four nights a week, meeting other songwriters.

Doak - How did you get to play songwriter nights in Nashville?

Tracy - I met Davidlee Slate, who was hosting songwriter rounds at “The All Good Café” and he later started doing the nights at the “Hall of Fame Lounge” on Music Row. After my first trip to Nashville, Davidlee called to let me know I had a place to play anytime I was in town. I started playing rounds in Debi Champion’s nights at The Commodore Sports Bar, Lee Rascone’s rounds at Crossroads and Jack Scott’s nights at the French Quarter. I contacted them before coming to Nashville and also made myself available to play when people in town needed someone else needed a filler. I also decided to try working with co-writers, and some good songs have come out of those sessions.

Doak - Now you are working on a project in Nashville, tell me about it.

Tracy - My songwriting is pretty much self-taught. I had never done a seminar, but a couple people contacted me to attend a seminar in Nashville with Mary Ann Kennedy, Pat Bunch and Pam Rose at Mary Ann’s ranch outside of Nashville. It wasn't something I had travelled to do in the past and I was leery to attend the seminar. I contacted Mary Ann directly, told her where I was at in my career and asked her why I should attend the seminar.

She said it sounded like a “no brainer” for me to attend. I took that leap of faith and trusted that the people I knew in Nashville were telling me the right things to do. I attended the seminar and was very comfortable - a cool vibe and I related to what they were saying about their experiences. I did a one-on-one session with Mary Ann and Pam and I felt extremely validated after that session. I hadn’t wasted years on a career, after chasing the dream for many years.

Doak - What did they tell you in that session?

Tracy - It was very positive feedback and to tell me to keep doing what I am doing on the journey. That may sound like a minor thing but it really has an affect when it comes from the right people. Mary Ann “got” my music, and she most definately earned my respect that weekend. I was extremely impressed with the achievements of all three of those women. They really inspire me. I went back to Canada with a lot to think about. I decided the next thing was a CD project to continue a fulfillment of mine. I contacted Mary Ann to make sure the project would be constructed properly. She was willing to help as a song coach and help me narrow what we select for the project. We started going through songs and ended up co-writing a song for the project. In working with Mary Ann, my writing was feeling much stronger. Her suggestions and mentoring had such a positive influence. Three of those songs ended up on the project, which was really fulfilling. The project is still going through the mixing stages and ended up being co-produced by Mary Ann and Kim Person. The project was recorded at Azalea Studios. Owner Fett, engineered.

Doak - The project is going to be a five song project, what are you planning on doing with the project?

Tracy - I will do some shows and try to start building a fan base in Nashville and beyond to see how things go. I have a lot of faith in this project with these songs that come from an honest place.

Doak - What kind of timeline are you looking at for the CD Project and does it have a name yet?

Tracy - No name as of yet. I have to think long and hard about the title of the CD, couple things in my head, but still undecided. I’m trying to have it ready by late September of 2005.

Doak - Is there a difference in working with Nashville studios verses Canadian studios?

Tracy - This studio for me had more of a family atmosphere, a sense of belonging. Kim did a great job of organizing the players and Mary Ann made sure the vibe was right by choosing Kim and Fett to work with. It was a collaborative effort and that felt good. Everyone respected the process and I felt very fortunate to be part of such a team.

Doak - I’ve seen you perform several times in the past year and heard one of your song demos the other night sitting in the songwriter’s car - both are totally awesome and you perform with such passion. Where did you learn to perform like you do?

Tracy - I don't know any other way - it is like breathing. Music is a passion in my life and performing it the way I do is just the way I get it across. It's not something I really control or even think about.

Doak - Where is Tracy going to be in three years - what is your goal?

Tracy - My goal is to be happy and love what I do in this business. I have been striving for fulfillment in this business and I think I'll find it here. I’ve done big shows and smaller venues. I want to take the journey a step at a time. Being a super star was never my goal - it's just to write and play my music. Hopefully some folks will like what I'm doing along the way.

Doak - Tracy - it is a pleasure talking to you, to see the passion for your music and to watch you progress in Nashville. You are taking great steps on your journey!

Cactus Cafe, Austin TX, Feb 2006

Acoustic Player Magazine

In Feb 2006, Tracy toured as an opener for Tommy Emmanuel. The following is a review from the Austin, TX show:

"Tracy Rice is as genuine as 24-carat gold. She is the real deal. Her voice is as clean and clear as a mountain stream, but the power behind it is pure white-water rapids. Her original songs are full of happiness, loneliness, hopefulness, fear, and courage. They are personal tales of her unvarnished humanity. And the Cactus Cafe (Austin) crowds loved her. Tracy thanked the audience for their sincere attention, but it was clear that appreciation for sharing her touching songs was a two-way street. Hers is a talent truly worthy of attention and respect."

MikeCrixell

Editor/Executive Producer

Acoustic Player Magazine

Artist Spotlight, The Aspiring Artist, May 2006

MusicDish E-Journal

"Nashville-based, Canadian artist/songwriter Tracy Rice has a distinctive alto full of emotion, power and groove."

InsideOut Interview - May 2006

InsideOut Magazine, Nashville

Canadian Finds Musical Home in Nashville

Tracy Rice to headline Church Street Café “sneak peak” this Thursday

by Joseph Brant

“I have a hard time characterizing my sound,” says Tracy Rice, before she laughs. “Generally when people see me live they think I’m a rocker,” she said. “Others think my music is on the New Country side. Whatever. I like to leave the door open.

Tracy is preparing for the inaugural performance this week at the new Church Street Café. “I normally play alone, but on Thursday I’ll be performing with a full band. I think it’s gonna rock,” she says with a grin that is, at the same time, sly and humble: fully Canadian.

Tracy built her career in Southwestern Ontario before moving to Nashville about a year ago. She toured the Canadian bookstore chain, Chapters, always testing new material and building a fan base with her acoustic performances. In 2002 she opened for country singer Terri Clark at a major fair and in 2004 won in a songwriting competition. That song, “Won’t Leave You Behind,” is included in her new CD, Truth. The 5-song CD will be officially released on Thursday. “I’ve been coming down here for over two years and I’ve lived here for about a year,” she says. “When I first came down here I immersed myself in the writer’s night scene. I played a lot of them. Now I generally play shows where I can showcase my work as an artist.”

In advertisements and flyers promoting the show, Tracy’s heritage as a Canadian is well noted. I wonder if the Canadian history has influenced the artist at all. “While I don’t think there is a big difference between Canada and the US,” she said, continuing without hesitation, “obviously politically there are some differences, and yes, that did weigh heavily on me when I decided to move here. But people seem to bring that up [her nationality] a lot. They feel that there are big differences, perhaps because they haven’t spent much time in my country, so to them perhaps there is a difference and maybe my music does have a different sound.” This is music that highlights the lyrics, the message, with at times infectious melodies, especially on the up-tempo “Don’t Want To Say Goodbye”, and a voice that is powerful but (delightfully) cannot hide the hint of vulnerability.

“Music,” she says, “is something we all connect with, and when you hear your story, what you perceive to be your story, in a song you feel like you’re being heard, and you’re being understood. You feel that you’re not alone. Even if it’s just for four minutes.”

The Australian duo, bluehouse, will be opening Tracy Rice for the “sneak peek” at Church Street Café this Thursday evening.

Webpage: http://www.tracyrice.com
Location: Nashville, TN, USA
Description: Edgy acoustic rock with a hint of country
Biography: IMMEDIATE RELEASE Contact: Linda Baker, CPR Entertainment, (615) 397-4244 or email Linda@certifiedguitarplayer.com Tracy grew up in a very musical and culturally-eclectic family, the Canadian daughter of a Barbadian mother and a Scottish father. In her childhood home in Ontario, passing a guitar around the living room and sharing songs was as natural as breathing. In fact, she included a clip of her grandmother's singing on her latest EP, Truth. She started singing and playing the guitar, keyboards, and drums in bands at the age of 15, which led her to songwriting. Her primary musical influences are Stevie Nicks, Melissa Etheridge, Keith Urban, Joni Mitchell, k.d. lang, and Aimee Mann. Although audiences often see her as a rocker, reviewers note her ability to walk the line between rock and New Country genres, evoking characterizations of the love child of Melissa Etheridge and Terri Clark. She began her solo career in London, Ontario, Canada with the recording of her first independent album in 1996. Her reputation as a great songwriter with a powerful voice gained her opportunities for interviews and performances on local radio and television. Her second CD, 'Out of the Light', was funded by the Canadian government-supported Foundation to Assist Canadian Talent On Recording (FACTOR). In 2002 she opened for Country Music's (and fellow Canadian) Terri Clark. Ironically, a year later her original song won the writing category titled 'Perfect for Terri Clark' in the Nashville Song Search. Tracy was the only non-American to win in this international competition. Subsequently, she began making regular networking trips to Nashville. In early 2006 Tracy released a 5 song EP, 'Truth'. Her goal was for an earthier sound, and a completely different approach from her previous rock efforts. "I wanted to get a little more organic with instrumentation, and match it with my vocal style". The album definitely shows traces of Nashville production, in more than the addition of a mandolin track. Australian fingerstyle guitar virtuouso Tommy Emmanuel, C.G.P., contributed acoustic parts on 4 tracks and the song 'Runaway Bay' was co-written with renowned Nashville songwriter Mary ann Kennedy. In Feb 2006, Tracy toured as an opener for Tommy Emmanuel. The following is a review from the Austin, TX show: "Tracy Rice is as genuine as 24-carat gold. She is the real deal. Her voice is as clean and clear as a mountain stream, but the power behind it is pure white-water rapids. Her original songs are full of happiness, loneliness, hopefulness, fear, and courage. They are personal tales of her unvarnished humanity. And the Cactus Cafe (Austin) crowds loved her. Tracy thanked the audience for their sincere attention, but it was clear that appreciation for sharing her touching songs was a two-way street. Hers is a talent truly worthy of attention and respect." MikeCrixell Editor/Executive Producer Acoustic Player Magazine
Press Release: Music Dish Interview, July 2005 Music Dish Interview, July 2005 musicdish.com Tracy Rice is a Canadian artist and songwriter. She was a winner in the 2004 Songwriting Contest for Nashville Song Search for the Crisis Intervention Center in Nashville. There were over 2,000 entries, Tracy was the only foreign winner. She is currently working on her first Nashville CD project. Doak - Tracy, tell me about your songwriting and artist journey and how you became involved in Nashville. Tracy - It has been a plan for several years to take my work to Nashville. I entered a songwriting competition at a friend’s urging a year and a half ago and won one of the categories, which was “Perfect for Terri Clark”. I had actually opened for Terri about a year and a half earlier in Canada. The contest gave me my first trip to Nashville and an introduction to the music scene. Doak - I remember you and I were in a car driving back from the contest and some fans that saw you open for Terri in Canada recognized you for your autograph, and I also saw other fans at Terri’s concert in Nashville at the Wildhorse Saloon also asking you for your autograph. How did that make you feel? Tracy - that tripped me out - I did not expect it! I was in Nashville where no one knows who I am, to accept an award for the songwriting contest and to be picked out of a crowd of people around Terri and asked for my autograph - yea it was a mind-blowing experience. Doak - That impressed me, especially since you did not play at the event in Nashville, the fact they remembered you from over a year earlier! That was pretty incredible that someone that has not played in Nashville, already has fans in this town. From that contest - what happened? Tracy - I got really motivated and focused on getting back to Nashville as frequently as possible. I started coming to Nashville about a week every month, as that is what I needed to do to get immersed in the songwriter scene. I would play at songwriter rounds at least four nights a week, meeting other songwriters. Doak - How did you get to play songwriter nights in Nashville? Tracy - I met Davidlee Slate, who was hosting songwriter rounds at “The All Good Café” and he later started doing the nights at the “Hall of Fame Lounge” on Music Row. After my first trip to Nashville, Davidlee called to let me know I had a place to play anytime I was in town. I started playing rounds in Debi Champion’s nights at The Commodore Sports Bar, Lee Rascone’s rounds at Crossroads and Jack Scott’s nights at the French Quarter. I contacted them before coming to Nashville and also made myself available to play when people in town needed someone else needed a filler. I also decided to try working with co-writers, and some good songs have come out of those sessions. Doak - Now you are working on a project in Nashville, tell me about it. Tracy - My songwriting is pretty much self-taught. I had never done a seminar, but a couple people contacted me to attend a seminar in Nashville with Mary Ann Kennedy, Pat Bunch and Pam Rose at Mary Ann’s ranch outside of Nashville. It wasn't something I had travelled to do in the past and I was leery to attend the seminar. I contacted Mary Ann directly, told her where I was at in my career and asked her why I should attend the seminar. She said it sounded like a “no brainer” for me to attend. I took that leap of faith and trusted that the people I knew in Nashville were telling me the right things to do. I attended the seminar and was very comfortable - a cool vibe and I related to what they were saying about their experiences. I did a one-on-one session with Mary Ann and Pam and I felt extremely validated after that session. I hadn’t wasted years on a career, after chasing the dream for many years. Doak - What did they tell you in that session? Tracy - It was very positive feedback and to tell me to keep doing what I am doing on the journey. That may sound like a minor thing but it really has an affect when it comes from the right people. Mary Ann “got” my music, and she most definately earned my respect that weekend. I was extremely impressed with the achievements of all three of those women. They really inspire me. I went back to Canada with a lot to think about. I decided the next thing was a CD project to continue a fulfillment of mine. I contacted Mary Ann to make sure the project would be constructed properly. She was willing to help as a song coach and help me narrow what we select for the project. We started going through songs and ended up co-writing a song for the project. In working with Mary Ann, my writing was feeling much stronger. Her suggestions and mentoring had such a positive influence. Three of those songs ended up on the project, which was really fulfilling. The project is still going through the mixing stages and ended up being co-produced by Mary Ann and Kim Person. The project was recorded at Azalea Studios. Owner Fett, engineered. Doak - The project is going to be a five song project, what are you planning on doing with the project? Tracy - I will do some shows and try to start building a fan base in Nashville and beyond to see how things go. I have a lot of faith in this project with these songs that come from an honest place. Doak - What kind of timeline are you looking at for the CD Project and does it have a name yet? Tracy - No name as of yet. I have to think long and hard about the title of the CD, couple things in my head, but still undecided. I’m trying to have it ready by late September of 2005. Doak - Is there a difference in working with Nashville studios verses Canadian studios? Tracy - This studio for me had more of a family atmosphere, a sense of belonging. Kim did a great job of organizing the players and Mary Ann made sure the vibe was right by choosing Kim and Fett to work with. It was a collaborative effort and that felt good. Everyone respected the process and I felt very fortunate to be part of such a team. Doak - I’ve seen you perform several times in the past year and heard one of your song demos the other night sitting in the songwriter’s car - both are totally awesome and you perform with such passion. Where did you learn to perform like you do? Tracy - I don't know any other way - it is like breathing. Music is a passion in my life and performing it the way I do is just the way I get it across. It's not something I really control or even think about. Doak - Where is Tracy going to be in three years - what is your goal? Tracy - My goal is to be happy and love what I do in this business. I have been striving for fulfillment in this business and I think I'll find it here. I’ve done big shows and smaller venues. I want to take the journey a step at a time. Being a super star was never my goal - it's just to write and play my music. Hopefully some folks will like what I'm doing along the way. Doak - Tracy - it is a pleasure talking to you, to see the passion for your music and to watch you progress in Nashville. You are taking great steps on your journey! Cactus Cafe, Austin TX, Feb 2006 Acoustic Player Magazine In Feb 2006, Tracy toured as an opener for Tommy Emmanuel. The following is a review from the Austin, TX show: "Tracy Rice is as genuine as 24-carat gold. She is the real deal. Her voice is as clean and clear as a mountain stream, but the power behind it is pure white-water rapids. Her original songs are full of happiness, loneliness, hopefulness, fear, and courage. They are personal tales of her unvarnished humanity. And the Cactus Cafe (Austin) crowds loved her. Tracy thanked the audience for their sincere attention, but it was clear that appreciation for sharing her touching songs was a two-way street. Hers is a talent truly worthy of attention and respect." MikeCrixell Editor/Executive Producer Acoustic Player Magazine Artist Spotlight, The Aspiring Artist, May 2006 MusicDish E-Journal "Nashville-based, Canadian artist/songwriter Tracy Rice has a distinctive alto full of emotion, power and groove." InsideOut Interview - May 2006 InsideOut Magazine, Nashville Canadian Finds Musical Home in Nashville Tracy Rice to headline Church Street Café “sneak peak” this Thursday by Joseph Brant “I have a hard time characterizing my sound,” says Tracy Rice, before she laughs. “Generally when people see me live they think I’m a rocker,” she said. “Others think my music is on the New Country side. Whatever. I like to leave the door open. Tracy is preparing for the inaugural performance this week at the new Church Street Café. “I normally play alone, but on Thursday I’ll be performing with a full band. I think it’s gonna rock,” she says with a grin that is, at the same time, sly and humble: fully Canadian. Tracy built her career in Southwestern Ontario before moving to Nashville about a year ago. She toured the Canadian bookstore chain, Chapters, always testing new material and building a fan base with her acoustic performances. In 2002 she opened for country singer Terri Clark at a major fair and in 2004 won in a songwriting competition. That song, “Won’t Leave You Behind,” is included in her new CD, Truth. The 5-song CD will be officially released on Thursday. “I’ve been coming down here for over two years and I’ve lived here for about a year,” she says. “When I first came down here I immersed myself in the writer’s night scene. I played a lot of them. Now I generally play shows where I can showcase my work as an artist.” In advertisements and flyers promoting the show, Tracy’s heritage as a Canadian is well noted. I wonder if the Canadian history has influenced the artist at all. “While I don’t think there is a big difference between Canada and the US,” she said, continuing without hesitation, “obviously politically there are some differences, and yes, that did weigh heavily on me when I decided to move here. But people seem to bring that up [her nationality] a lot. They feel that there are big differences, perhaps because they haven’t spent much time in my country, so to them perhaps there is a difference and maybe my music does have a different sound.” This is music that highlights the lyrics, the message, with at times infectious melodies, especially on the up-tempo “Don’t Want To Say Goodbye”, and a voice that is powerful but (delightfully) cannot hide the hint of vulnerability. “Music,” she says, “is something we all connect with, and when you hear your story, what you perceive to be your story, in a song you feel like you’re being heard, and you’re being understood. You feel that you’re not alone. Even if it’s just for four minutes.” The Australian duo, bluehouse, will be opening Tracy Rice for the “sneak peek” at Church Street Café this Thursday evening.